Alex Martinis Roe shows a sculpture in Archive Kabinett
front window and her film
A story from Circolo della Rosa,
both of which continue her work on feminist genealogies.
The film is narrated by the artist’s voice and is addressed to a
close colleague in the form of a letter, telling a story about
two women. The film weaves together fragments from her
recent oral history research with members of
Libreria delle
 and her experiences of their collective activities, as
well as her exploration of related spaces, archives and texts.

On the occasion of the show Alex Martinis Roe selected a
series of books from both her personal library and the Milan
Women’s Bookstore. The collection takes the form of an
open access reference library at Archive Kabinett inviting
users for individual or collective reading, serving as site for
sharing resources and ways of thinking. Excerpts from this
collection are also made available on
The show was organized by Fiona Geuss and it was made
possible with support by Graduiertenschule, Universität der
Künste Berlin.
Download pamphlet of the event.

A Story from Circolo della Rosa Alex Martinis Roe
Manifestos Show. Act I: Inessential Fathers
Inventory. An archive of stories

Inventory is on view at Archive Kabinett during opening hours.
Inventory is the representation of a research journey in the form of
an archive of printed matter collected in Eastern and Southern
Europe. Changes taking place in these regions and their impact on
cultural and socio-political structures are seen as a possibility to
question European cultural establishments and their ‘patriarchal’
Inventory aims to document a number of situations related
to the use of publishing as form of resistance. It is formed by
interlinked histories, specific to their socio-political contexts, yet
interconnected. Self-publishing has a complex and, to some extent,
insufficiently known history. Through specific case studies,
Inventory explores and circulates significant material about the
pivotal role of publishing in the fight against totalitarianism, in the
one hand, and in the other, it stresses the question of how ideological
censorship has been replaced by new constraints.
F R O M   T H E   A R C H I V E
Alex Martinis Roe, A Story from Circolo della Rosa, video still, 2014
Alex Martinis Roe’s front window at Archive Kabinett
Still from S.C.U.M. Manifesto (Les Insoumuses, France 1976, 27mins)
Installation view at Archive Kabinett
Still from Alexander Medvedkin’s film The New Moscow (1938)
Performance at the Laboratoires d’Aubervilliers, Paris
M A R C H   2 0 1 5
Kabinett News
U P C O M I N G   E V E N T S

Young Girl’s Reading Group
by collective d3signbur3au
R E A D I N G   G R O U P

March 2015
Nicolas Cillins and
Emilija Skarnulyte
U P C O M I N G   T I T L E S

Deimantas Narkevičius
Da capo. Fifteen Films
Edited by Marco Scotini

Politics of Memory
Edited by
Marco Scotini
T H E   W I T N E S S

Anguish Language:
Writing and Crisis
Edited by Anthony Iles
O P E N I N G   H O U R S

Monday to Saturday
From 2 to 7 pm
Closed on Sunday
L A T E S T   E V E N T S

Book Exchange. A project by Warren Neidich
at the LA Art Book Fair

Publishing Clearing House
Talk by Brett Bloom from Temporary Services
Organised by Anagram

18.11.2014   PRO-QM
The Psychopathologies of Cognitive Capitalism: Part Two
Book launch and talk with Matteo Pasquinelli, Warren Neidich,
Patricia Reed and Liss C. Werner

Carla Filipe. Da cauda à cabeça (From tail to head)
Discussion between the artist Carla Filipe
and Nuno Ferreira de Carvalho

Der Standpunkt der Aufnahme – Point of View
An evening of discussions at The Showroom
with Tobias Hering, Elke Marhöfer and Ed Webb-Ingall

U P C O M I N G   E V E N T S

March 2015

Grutas park
On the occasion of the release of Lithuanian filmmaker Deimantas
Narkevičius’ monograph (Archive Books, 2015), Archive invites
two filmmakers – Nicolas Cillins and Emilija Skarnulyte – to show
their films, both shot in Grutas park, Lithuania. The park is a
peculiar place, assembling the former public monuments of the
fictive LTSR state, amongst them – the statue of Lenin, appearing
in Narkevičius’ film
Once in the XX Century.

April 2015

Where to sit at the dinner table?
Film programme curated by Portuguese New-York based writer
and artist Pedro Neves Marques in relation to his book
The Forest and The School: Where to sit at the dinner table? 
published by Archive Books and the Academy of Arts of the
World in Cologne in late 2014. This publication is a thorough
anthology on Brazilian Antropofagia. It presents Antropofagia
not simply as an aesthetic movement but as a full scope South
American cosmopolitics, defined by predation and the
immanence of the enemy, by an humanity unbound from
species, and a technology aimed at leisure.

May 2015

Workshop and presentation, part of a larger project supported
by Perspektive. Fonds für Zeitgenössische Kunst und Architektur.
O N G O I N G   P R O J E C T S
‘The main trouble with cyborgs, of course, is that they are the
illegitimate offspring of militarism and patriarchal capitalism,
not to mention state socialism. But illegitimate offspring are
often exceedingly unfaithful to their origins. Their fathers,
after all, are inessential.’
— Donna Haraway, ‘A Cyborg Manifesto’, 1991.

Inessential Fathers was invitation to read together as a
means to trace feminisms’ genealogies through its
manifestos. The exhibition at Archive, took as point of
departure these documents of feminist history, that have
simultaneously worked to invite collective action and to
expose the limitations of the language that they speak
through. The exhibition featured works by artists that
negotiate strategies for the production of feminist situations
and yet simultaneously reveal the conditions that limit them
or, in turn, make them possible.

Including contributions from Carla Cruz, Kajsa Dahlberg,
Rosie Eveleigh, Emma Hedditch & Henriette Heise, Alex
Martinis Roe, Carole Roussopoulos & Delphine Seyrig.

The Choreography of Labour #5 in the Mobile Cinema Lecture perf
In The Choreography of Labour, a project developed at the
Laboratoires d’Aubervilliers, Romana Schmalisch has
examined different historical and contemporary strategies of
efficiency and education that are centred around the body: on
the one hand, the project critically examined choreographer
Rudolf Laban’s techniques to improve workers’ body
efficiency for production, and on the other, it investigated the
different programmes that job centres in Paris use to make
unemployed young people or those with limited working
capability fit for the demands of the labour market. The main
interest of
The Choreography of Labour was to show
an abstract labour force behind all these programs. 
For her presentation at Kabinett, Romana Schmalisch
revisited the
Mobile Cinema, a project exploring the idea of a
travelling popular cinema, which serves as a mediating
device to talk about the relationship between labour and art.
Mobile Cinema is a reconstruction of a film prop from
Alexander Medvedkin’s film “The New Moscow” (1938), a
model of a small cinema the protagonist takes on his travels
across the Soviet Union to discuss his vision of society.

Archive Kabinett’s front window. Photo by Leonardo Calvi
Photo of the month: Nicolas Cillins, part of the upcoming show at Archive Kabinett
Archive is a platform for cultural research and debate. It brings
together activists and cultural practitioners in an adaptable and
non-hierarchal structure with the aim to foster a unique space
for discussion and exchange. Archive is engaged in a wide range
of activities including publishing and exhibition making. Archive
Books produces readers, monographs and artists’ books as well
as journals focusing on contemporary cultural production.
Located in Berlin, Archive Kabinett is both a library and a
bookshop showcasing a selected range of printed matters, and
simultaneously a space for lectures, screenings and exhibitions.
Archive Journal is a biannual cross-disciplinary journal. As its name
suggests, it is primarily concerned with the notion of documentation
but also with contemporary uses of translation and recirculation.
Archive Appendix is the design department that brings a conceptual
approach to the relation between text and image.

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